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Maurice Broaddus is an exotic dancer, trained in several forms of martial arts–often referred to as “the ghetto ninja”–and was voted the Indianapolis Dalai Lama. He’s an award winning haberdasher and coined the word “acerbic”. He graduated college at age 14 and high school at age 16. Not only is he credited with inventing the question mark, he unsuccessfully tried to launch a new number between seven and eight.

When not editing or writing, he is a champion curler and often impersonates Jack Bauer, but only in a French accent. He raises free range jackalopes with his wife and two sons … when they are not solving murder mysteries.

He really likes to make up stories.  A lot.  Especially about himself.

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Coming closer to the truth, he was originally born in London, England, but has lived in Indianapolis, Indiana for most of his life. He holds a Bachelor’s of Science degree from Purdue University in Biology (with an undeclared major in English) and spends the bulk of his time doing community development work.

Claim the Throne

With nearly one hundred stories published, his work has appeared in Lightspeed Magazine, Weird Tales, Apex Magazine, Asimov’s, Cemetery Dance, Black Static, and many more. Some of his stories have been collected in The Voices of Martyrs. He is the author of the urban fantasy trilogy, The Knights of Breton Court trilogy. He co-authored the play Finding Home: Indiana at 200. His novellas include Buffalo Soldier, I Can Transform You, Orgy of Souls, Bleed with Me, and Devil’s Marionette. He is the co-editor of Dark Faith, Dark Faith: Invocations, Streets of Shadows, and People of Colo(u)r Destroy Horror. Learn more about him at MauriceBroaddus.com.

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He is about the pursuit of truth, be it by art, science, or by religion. He believes that lives should be lived missionally, that people should be about loving and serving one another, a lesson learned in his most important job: that of husband and dad.

SELECTED BLURBS:

“The lush, descriptive prose tantalizes all the senses, drawing the reader into a rich world spanning both miles and centuries. Hints of magic in both the past and present, as well as the science fiction elements of the future stories, make this an exciting exploration of genre as well as culture.” –Publishers Weekly (Starred Review)
 ”Give thanks for these griot, hip-funk, afrofuturist stories of pure horror and complicated hope. Broaddus sounds a deep beat in this true myth of survival: what our heads forget, our bones remember.” –Karen Lord
 ”Maurice Broaddus has a talent for creating fascinating characters across lifetimes, fierce voices that linger and stay with you. His fantasies, fables, and far out tales come from an imagination as frightening as it is admirable. And whether they come from the past, present, or one of his cautionary futures, you are certain to find a story that speaks to you.” –Sheree Renée Thomas
 ”An outcast in the distant past struggling to survive. A religious captain rationalizing away the evil of the slave ship he commands. A future biomech warrior in a literal culture war. The stories in The Voices of Martyrs again prove why Maurice Broaddus is one of the most exciting writers of today’s genre fiction. His vision spans space and time while staying grounded in the stories–in the very voices–which make us fully and tragically and hopefully human.” –Nebula Award-nominated author, Jason Sanford
 ”Reminiscent of a young Charles Saunders, Maurice Broaddus’ The Voices of Martyrs is a fresh blend of science fiction, fantasy, and the folkloric history of the African diaspora.” –Chesya Burke, Author of Let’s Play White and The Strange Crime of Little Africa
 ”There’s a percussive intensity to the stories in The Voices of Martyrs. These are not simplistic heroic tales but poignant examinations of the triumphs and losses, the joys and pains, and the deep, rich complexities of a culture.” –Ayize Jama-Everett, author of The Liminal People

 

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“There are fewer greater pleasures in a reader’s life than witnessing a writer whose work they have enjoyed reached a new plateau in their storytelling skills, and such is the case here; with The Devil’s Marionette, Maurice Broaddus comes into his own as a writer of dark fiction. It is the brilliance we’ve all been waiting for, and Broaddus delivers in a voice that both whispers and roars and cannot be ignored.” –Bram Stoker and International Horror Guild Award-winner Gary A. Braunbeck, author of Mr. Hands, Destinations Unknown, and Coffin County

 

“[Pimp My Airship] doesn’t just examine those genre assumptions. It chops them up, grinds them into a fine powder, rolls them into some quality paper, and then smokes them for fun. It simultaneously dismantles the genre and slaps it back together into something newer, fresher, and — dammit — more interesting than the original.” –Matt Forbeck, award-winning author of Amortals and Carpathia

 

“Maurice Broaddus has an uncanny ability to capture the flavor of the streets. This is a wild, imaginative journey grounded in a gritty reality so compelling that you’ll swear these characters must live in your own city. Put this on your must-read list!” - Brandon Massey, award-winning author of Cornered and Don’t Ever Tell

 

“Deft characterization, authentic dialogue, exciting plot. Add a highly original premise: The Arthurian Legend magically springing up in the ‘hood, including the return of the King, Merlin, the Knights of the Round Table, and even a dab of chivalry. Maurice Broaddus has definitely brought his A-game to this urban joust.” – Gene O’Neill

“Maurice Broaddus’ writing creates a dangerous and authentic mood. The language is fierce and evokes the gritty realism of life on the streets. When the supernatural elements are introduced, they drift through the novel like smoke, leaving the reader gradually horrified as the end game is reached… For some, King Maker is going to be the best read of 2010.” - FantasyLiterature.com

 

“King Maker is a fascinating novel, a true urban fantasy in the literal definition of the term, and with assured prose and strong characters, should be on every SF fan’s shelf.” - Adam Christopher

 

“KING MAKER’s strength is its ability to stay true-to-life even when the fantasy components come into play; the reader has enough time to get invested in the urban drama yet won’t find anything goofy when dragons, cannibals, and mystics are hinted at and eventually encountered.” - Antibacterial Pope

 

“I have to give props to Broaddus for his creativity. This is no simple retelling of the Arthur legend with new names pasted in, this is a genuine and compelling story in its own right. Characters are complicated and have their own motivations and goals. None of them simply go through the motions dictated by the legend… King Maker is one of the best modern fantasies I’ve read in ages.” - Nicholas Kaufmann’s Journal

 

“A cunningly wrought retelling of the Arthurian myth, set amongst the street gangs of Indianapolis.” — Ben Aaronovitch, author of Rivers of London