2018 Award Eligibility Post

It’s that time of the year when writerly types post their works that came out that year to remind voters for the different SF/F awards which categories their works are eligible for (especially for the Hugo Awards and Nebula Awards). And, frankly, what folks may have missed of mine this year:

El is a Spaceship Melody – Beneath Ceaseless Skies



Short Stories
“All God’s Chillun Got Wings” is available in Steampunk Universe.

“The Rebel” (written with Sarah Hans)
Mechanical Animals

“Wolf at the Door” (written with Anthony Cardno)
Chiral Mad 4

I’m keeping this short because I have to get back to work. 2019 is already shaping up to be a beast. I can’t wait to share what’s in store from me!

COVER REVEAL: The Usual Suspects

I’ve been sitting on this for a while, but I finally have clearance to share this: the cover of my middle grade detective novel, The Usual Suspects.

Coming in May 2019!

(From Katerine Tegan Books, an imprint of HarperCollins)

Art by Richie Pope!

Patreon: November Roundup

So I was recently asked about the work that I’ve produced over the last couple months. I rarely stop to think about what I’ve done. I more just turn it in and move onto the next thing. But I think this person was worried that I do so much work in the community (thus the community report) that I’m not getting any actual writing done. So here’s a quick peek at that:

-I completed the final line edits on The Usual Suspects

-I turned in a novella (for a project for a movie studio … that I can’t talk about yet)

-I turned in work for a Serial Box project (for a project … that I can’t talk about yet)

-I turned in the outline and first three chapters for a new Afrofuturist novel project (I pitched it as “Black Panther meets Game of Thrones…in space)

-I started revisions on two novels (one of which is Pimp My Airship – A Novel. Apex Books recently purchased the novel and it is due out in May 2019. Those who have been subscribing at the $10 level will get a copy of it. The other book project is an urban fantasy called The Lost Griot. I’ll post the opening chapter of this next month for subscribers at the $10 level).

[Also pictured are my other current projects: a biography of a local hip hop artist and the sequel to The Usual Suspects (Blackhats). I get my work in, too.]

There are projects that have been announced as coming out, most of it from my collaborative period:

“The Rebel” (written with Sarah Hans) in Mechanical Animals


“Wolf at the Door” (written with Anthony Cardno) in Chiral Mad 4


“What the Mountain Wants” (written with Nayad Monroe) in Do Not Go Quietly (coming soon)


So in tribute to this spirit of collaboration, for those subscribing at the Awesome Pimping ($10) level and above, I’ll be posting the first chapters of Wrath (written with Wrath James White) and Serpent (written with Jason Sizemore) this month.

At the Awesome Pics level, well there’s Ferb. And me. A couple behind the scenes photos of a Broaddus family tradition (we make home movies for our Christmas party. We start filming the day after Thanksgiving. This was from two years ago when Ferb had a starring role).

On other Patreon updates, that Bella the intern post has already come back to haunt me. I am now mentoring at the Kheprw Institute and through SFWA. I even adjusted a level on Patreon for folks looking for some quasi face-to-face mentoring time. I’ll post about the responsibilities of being a mentor/mentee and posts answering questions from them from time to time.

In the Community Report, updates on an author event and the planning of Spirit & Place and Mo*Con.

As always, thank you so much for the support. You allow me to get so much work done in the community.

Afrofuturism in Action: A Conversation with Tobias Buckell (Updated with video)

LIVE Tobias Buckell and Maurice Broaddus talking about #Afrofuturism in Action at KI part of Spirit & Place Festival!‬ Thanks also to Indiana Humanities and Central Indiana Community Foundation for your support!

Posted by Kheprw Institute on Friday, 9 November 2018


[From the Spirit & Place event page]

When and Where:
Friday, November 9, 2018 6:00 PM – 8:30 PM
at Kheprw Institute/Renaissance Center

3549 Boulevard Pl., Indianapolis, IN 46208

Special Venue Instructions: Parking lot and street parking available. 


Tobias Buckell


Event Description:


At the intersection of race, social justice, and the future, join best-selling science fiction author Tobias Buckell in this provocative conversation.

Black Panther. Parliament-Funkadelic. Octavia E. Butler. Janelle Monae. Afrofuturism is the reimagining of a future filled with arts, science, and technology seen through a black cultural lens. It’s an all-encompassing arts movement, including literary, film, music, visual arts, and fashion that allows us to discuss matters of race, gender, and social justice. It critiques the present as well as model possibilities for the future. Hear from Caribbean-born, US-based writer Tobias Buckell, author of Crystal Rain, Arctic Rising, and Halo: The Cole Protocol, and join in a community conversation where we use art, science, and faith to imagine a future together.

Parking lot and street parking available.

Walk-ins welcome. RSVPs encouraged by Nov. 8.

Presented by Maurice Broaddus and Kheprw Institute.

IndyGo: 38

Award of Awesomeness
Afrofuturism in Action is one of five events nominated for an Award of Awesomeness! These events use the arts, humanities, and/or religion in unique ways to explore the INTERSECTION theme and have the potential to be true standouts. The winner will receive a $1,000 prize that will be announced at the conclusion of the Public Conversation on Sunday, November 11 at the Indiana State Museum.



[see also African Americans in Speculative Fiction – A Primer]

Mark Dery essay “Black to the Future” (1994) – coined the term “Afrofuturism”



Tomi Adeyemi – Children of Blood and Bone (Legacy of Orïsha #1) (2018)

Steven Barnes – Lion’s Blood (2002), Zulu Heart (2003)

Jennifer Marie Brissett – Elysium (2014)

Tobias Buckell – Crystal Rain (2006)

Octavia Butler – Parable of the Sower (1993)

Bill Campbell – Mothership: Tales from Afrofuturism and Beyond (2013)

Samuel Delany – Aye and Gomorrah (1967), Dhalgren (1975)

Nicky Drayden – Prey of Gods (2017)

Tananarive Due – My Soul to Keep (1988)

Nalo Hopkinson – The Brown Girl in the Ring (1998), Midnight Robber (2000)

N.K. Jemisin – The Fifth Season (2015)

Walter Mosley – Futureland: Nine stories of an imminent future (2001)

Nnedi Okorafor – Who Fears Death (2010), Binti (2015), Binti: Home (2017), Binti: The Night Masquerade (2018)

Deji Bryce Olukotun – Nigerians in Space (2014)

Rasheedah Phillips – Recurrence Plot (2014)

Sun Ra – This Planet is Doomed (2011)

Nisi Shawl – Everfair (2016)

Rivers Solomon – An Unkindness of Ghosts (2017)

Sheree Renee Thomas – Dark Matter: A Century of Speculative Fiction from the African Diaspora (2000)

Colson Whitehead – The Underground Railroad (2016)





Sun Ra – “Space is the Place” (1973)

Parliament – “Mothership Connection” (1975)

Outkast – “Aquemeni” (1998)

Janelle Monae – “The ArchAndroid” (2010), “The Electric Lady” (2013), “Dirty Computer” (2018)

Drexciya – The Quest (1997)

Erykah Badu – Baduizm (1997)

Flying Lotus – 1983 (2006)



The Brother from Another Planet (1984) – John Sayles

District 9 (2009) – Neill Blomkamp

PUMZI – https://www.youtube.com/watch?v=SWMtgD9O6PU

INTERVIEW with Wanuri Kahiu – https://www.youtube.com/watch?v=IlR7l_B86Fc

Wanuri Kahiu Ted Talk on Afrofuturism – https://www.youtube.com/watch?v=PvxOLVaV2YY

Janelle Monae Dirty Computer Emotion Picture – https://www.youtube.com/watch?v=jdH2Sy-BlNE



Jean-Michel Basquiat – Molasses

Antonio Lopez – fashion illustrations

Tim Fielder – graphic artist, “Black Metropolis” exhibit

Niama Safia Sandy – curated “Black Magic: Afro Pasts/Afrofutures” exhibit

King Britt – curated “Moondance: A Night in the Afrofuture” exhibit (2014)

Joshua Mays – Tells Stories in Murals

Lina Iris Viktor – A Rising Star

Rachel Stewart – jewelry maker

Ingrid Lafleur


Comic Books

Black (Kwanza Osajyefo)

Black Panther (Christopher Priest, Reginald Hudlin, Ta-Nehisi Coates)

Destroyer (Victor LaValle)

Milestone Comics (Icon, Static, Hardware, Blood Syndicate)



Afrofuturism: the World of Black Sci Fi and Fantasy Culture (2013) – Ytasha L. Womack

Afrofuturism 2.0: The Rise of Astro Blackness (2015) – Alondra Nelson and Reynaldo Anderson

Octavia’s Brood: Science Fiction Stories from Social Justice Movements (2015) – Adrienne Maree Brown and Walidah Imarisha

More Brilliant Than the Sun – Kodwo Eshun

The Sound of Culture: Diaspora and Black Technopoetics – Louis Chude-Sokei

Emergent Strategy – adrienne maree brown

Speculative Blackness: The Future of Race in Science Fiction – André M. Carrington

Black Quantum Futurism: Theory and Practice Vol. 1 – ed. Rasheedah Phillips


Misc Resources

Afrofuturism: 3 Women you need to Know

Tech and Afrofuturism on Robin Thede’s late night show The Rundown:

Pt. 1: https://youtu.be/BltqLsYnOgw

Pt. 2: https://youtu.be/jk0OV_ZIxvw

Mundane Afrofuturist Manifesto: http://martinesyms.com/the-mundane-afrofuturist-manifesto/

Aker: Futuristically Ancient – https://futuristicallyancient.com/

House of Future Sciences

This American Life – We are the Future

Dear Tananarive Due and Steven Barnes

[I originally sent this to them privately, but I wanted to publicly thank them also]

First off, thank you so much for your time, your presence, your generosity, and your awesomeness. You have always been a role-model for me and I wanted to once again say how much I appreciate you. Things couldn’t have gone any better.


Second, the folks you were talking to were a mix of writers, fans, and community organizers. Your words continued to resonate that night. After Afrofuturism Friday, I led another workshop right now called “the Superhero workshop.” Basically me and a lady who was in attendance for your talk, lead a group of women in using story to work through issues of trauma (with the idea that most superheroes origin story are rooted in trauma). Your words kept coming back to her and we all ended up working until midnight exploring your methods of approaching stories by asking questions. And. We. Had. Such. Breakthroughs.

Thirdly, I meet with the founder of the Kheprw Institute every Saturday morning for coffee and our “sacred dialogue” (basically, we’re off the clock and talk about things other than the community organizing work). As a part of the work we’ve been doing, we’ve been dealing with gentrification issues and equity land use. As a part of the worldbuilding for the novel I’m working on, I asked him about what real equity could look like. He went on a rant about how we’ll never achieve equity, not with the systems we have in place, how we can only leaven its worse aspects, and so on. I looked at my elder and told him I was about to put on my Afrofuturist hat: if we were starting a colony on the moon, what could equity look like? He got this look in his eye, I recognize that look of a dreamer, and then he started to give me some scenarios. I say all this to remind us of how Afrofuturism creates a space of us to dream about possibilities. Even visionary leaders sometimes needs that permission to dream, if only to see where we could be.

So thank you again. Know that you have touched a lot of doers and movers in our city.

Peace and love,


PATREON UPDATE: October Extras Month!

Dear Patreon supporters,

Thank you so much for your patience. I’m not going to lie: I didn’t get the September stuff up due to preparing and being gone for the Writing Excuses Cruise (and I realize the weeping going on for me as I offer up teaching on a cruise as an excuse for non-production).

The month off has also allowed me to think through some changes I want to make to the Patreon. First off, in an attempt to make up for things, I’m declaring October “EXTRAS MONTH!”

-for those at the $1 level, it means extra pics of Ferb (and maybe me…on a beach…or something else equally productive).

-for those at the $5 level, there will be three blog posts this month (and at least two a month going forward)

-for those at the $5 and up levels, due to a special Afrofuturism Friday that I am doing in December, there will be a chapbook of several of my stories and a novelette produced that will be sent to you as a thank you.

-for those at the $10 level more chapters of the novel in progress. There may be a publishing date attached (assuming I get all the revisions done). So around next June, you will receive a copy of the finished product.

-for those at the $20 level, I’ve made the previous reports public on my blog:

Patreon Report: A Month in the Life

Patreon Report: A Month in the Life

-speaking, community work, writing update


Patreon Report: Afrofuturism Fridays

Patreon Report: Afrofuture Fridays


Patreon Report: One Week

-I was overdoing it, even for me


Patreon Report: Community Innovation Lab, Afrofuture Fridays, and More!


Patreon Report: 18-04-25

Patreon Report – 18-04-25

-more updates on the community innovation lab and Afrofuturism Fridays


More importantly, I’m adding a profile piece to the report. Each month I will include a write up of someone I work alongside with in the community development work. Plus updates on Afrofuturism Fridays, a Superhero Workshop, a Spirit & Place event, and a profile on Imhotep Adisa, founder of the Kheprw Institute.

And there may be other sneak peeks and previews this month. YOU. JUST. DON’T. KNOW.

As always, thank you for the support.


Clarion 2019 Instructors…

I’m going to be an instructor at the Clarion workshop in 2019. I’m still pinching myself to make sure that I am not dreaming I’m a part of an amazing lineup including Carmen Machado, Karen Lord, Andy Duncan, and Ann VanderMeer and Jeff VanderMeer. I’m of two minds: 1) it’s sorta surreal to be mentioned in the same sentence as so many writers I admire; and 2) SQUEEEEEEEEEEEEEEEEEEEEEEEEE!!! (a sample of the kind of quality professionalism and instruction you can expect)

[Learn more about the Clarion line up here.]

Writing Excuses Cruise 2018

Dear students wanting to know where Mr. Broaddus was all week (not that you’d check Facebook because it’s for old people),

Just know that I was hard at work on a new book and preparing to teach about writing. Because I suffer for my art.

Our first stop was at NASA. Chilling with the Saturn V rocket. 60 feet taller than the Statue of Liberty. You can’t appreciate the scale unless you can picture parking your car into one of the FIVE thrusters in the back.

Then I found myself in Roatan, going over my lesson/workshop plans when suddenly I was struck with writers block that I found a way to push through…#beachmassagesrule

Then came Belize where I was, uh, researching. #writerslife

I did meet up with a few folks: one codenamed B15

and the other group codenamed Bravo Bravo Bravo.

This exchange probably best sums up how I lived on the Writing Excuses Cruise:

Me: Let me get this straight, I can order anything off this menu and you’ll give it to me for NO extra charge.

Waiter: Yes sir. So what would you like for dessert?

Me: The roasted duck.


I want to than the entire Writing Excuses crew for inviting me out and giving me the opportunity to teach some folks who will be taking the literary world by storm before too long.



I. CALL TO ORDER: DUST: Missy Elliott Descends from Planet Rock

Little Simz, Missy Elliott & The Genius Of Afrofuturism | @littlesimz @missyelliott

Listening/viewing Salon: videos by Missy Elliot


            Music Lab – Missy Elliott Playlist

-The Rain (Supa Dupa Fly)

-She’s a Bitch

-Beep Me 911

-Sock It 2 Me


I’m Better


Sock It 2 Me

II. N.K. Jemisin


We celebrated N.K. Jemisin’s unprecedented Hugo Award for Best Novel three-peat by watching her acceptance speech for The Stone Sky, the final volume in the Broken Earth series. The series began with The Fifth Season (2015) and is followed by The Obelisk Gate and The Stone Sky. The Fifth Season takes place on a planet with a single supercontinent called the Stillness. Every few centuries, its inhabitants endure what they call a “Fifth Season” of catastrophic climate change.


The society of the Stillness is broken up into many “comms”, “use-castes”, races and species. Such as orogenes, people with the ability to control energy, particularly that of the ground (directly) and temperature (indirectly). In a prologue, an extraordinarily powerful orogene discusses the sad state of the world and laments the oppression of his race. He then uses his enormous power to fracture the entire continent along its length, threatening to cause the worst Fifth Season in recorded history. The story then follows three female orogenes across the Stillness from different time periods.


In August 2017 it was announced that The Fifth Season is being adapted for television by TNT


N.K. Jemisin’s speech – https://www.youtube.com/watch?v=8lFybhRxoVM&feature=youtu.be


Shockingly, there was a lot of backlash to her speech which was a whole lot of racist nonsense. However, of note, was N.K. Jemisin’s recent twitter rant answering the question “why do we have to mention her race?”

III. Binti: Home

In probably our most intense and personal discussion, we covered a lot of ground:


  1. Binti’s journey involves a lot of losing who she thinks she is and the idea of being exposed to things outside of yourself: Okwu, Binti’s otjize, her time at the metropolitan university, her time with the Desert People, her pilgrimage because she thinks she’s unclean. How can we, as she puts it, grow “beyond your cultural cage”?


  1. On page 125 Binti says “It’s wrong that I don’t even know of my own … my own people.” To know who you are, under what circumstances do you have to return home? What does it mean to learn of your own people (what does that look like for us)?


  1. “When you face your deepest fears, when you are ready,” [her therapist had] said, “Don’t turn away. Stand tall, endure, face them. If you get through it, they will never harm you again.” Binti’s PTSD is an on-going theme of the story. How do we walk through our past and the stories that both formed and hurt us?


  1. How do we balance the expectation community has for us (you have a gift) vs. what we want to do (in Binti’s case, dance)?


  1. “What we can’t afford to do is let one story keep us from participating in other stories. Maybe this is where reconciliation can begin.” Meduse and Khoush. Himba and Khoush. We have this idea of warring tribes. What does it take to put aside ancient angers, hatreds, and tribal histories of violence?



Also, we’ve been compiling a list of materials and resources for our Afrofuturism library. Feel free to post any of your suggestions.