[Unfortunately, Alethea Kontis won’t be with us (though we will still be having our traditional "In Celebration of Alethea Kontis Opening Dinner"). However, Brian Keene will be joining us. So imagine him in that outfit.*]
Another year, another Mo*Con approaches: May 4th-6th (Cinco de Mo*Yo). I both love and dread this time of year. There is an excitement as Mo*Con is typically the opening to my convention season. It’s like my kickoff party. There is a dread as, well, with all the planning and detail work that goes into it, (and it’s strange how such a laid back con requires so much thought) my writing productivity drops to about nothing. But it’s totally worth it.
A lot of writers have regular (insert their name) cons, ranging from backyard bbq/parties to full borne conventions. There’s no easy way to describe Mo*Con. Some call it the Necon of the Midwest. Or compare it to a con suite convention, a convention room party for a whole weekend, except held in a church. Its aim has always been to be small and intimate, yet be like a family reunion.
Mo*Con has a two part vision. The first, inspired by many a late night at conventions, is to provide a forum for folks, namely my horror and fantasy writing colleagues, to get together and discuss some of the larger issues which affect our writing, our social conscience, and our spiritual lives. We can have discussions and disagree (the whole point is to disagree), yet listen to one another in a spirit of respect. The second is that too often the artist is underappreciated and we wanted an occasion to spoil a few. This year’s line up includes:
“Apex Publishing Presents … Mary Robinette Kowal“
Publisher Guest of Honor: John Edward Lawson
Artist Guest of Honor: Mike Altman.
We’ll be debuting a few projects at this year’s Mo*Con, not the least of which are The Miseducation of the Writer, an anthology of essays by writers of color edited by myself, Chesya Burke, and John Edward Lawson. And a portion of the money raised at Mo*Con will be given to the Carl Brandon Society. Lastly, a strange thing has happened with Mo*Con. Besides the fact that the bulk of the convention involves us continually rolling out food and drinks to facilitate great conversations, it has its own metric about whether that year was a successful con. It’s probably the only convention where people measure it by how well they feel loved. You have to experience it to understand.
*In case you have trouble imagining this, allow me to help with a visual (he posts so many political-career-ending pictures of me, I’m scared to do a Google image search of myself):









I’m sure that your conventions are always wonderful, Maurice!
I had a look at the (spoof?) article on the capsfest site: couldn’t quite bring myself to leave a comment there! But it inspired me to look at your updated bio! So: you really actually were born in London? Snap: so was I! (Cue to “We’re not so different, you and I..” Dr Evil-style voiceover!)
Where in London, may I ask? Me: Paddington. (But not the station!)
And so.. you said on capsfest blog that one of the things you’re most looking forward to is The Dark Knight Rises? (Where to does he rise?)
I’ll reiterate my older question: SINCE TDKR is pace imdb just a reiteration of TDK – a “terrorist” plot, now with added totty in feline form.. WHAT could possibly be so great/novel about it?
&another thing occurred to me: SEEING as they are using Bane for this movie (boring choice, seeing as they already used him for Batman & Robin, another “teamup” movie.. y not one of the other, obscurer villains? I spose not Penguin,partly because Nolan has NO..
..sense of humour, and partly because he doesn’t want to invite comparison to Tim Burton)..
Like I say, it doesn’t sound like much new. You’d get more creativity from an episode of Batman: The Animated Series than that!
But it struck me.. as a problem.. Bane is basically a super-soldier gone wrong. This was glossed over in the rather farcical 1998 movie where he is only a minor villain.
But in a “serious” version.. and with so many soldiers engaged in and returning from Afghanistan, many with all kinds of disabilities.. isn’t it a bit *sensitive*, to do some fantasy movie about an ex-soldier villain with “problems”?
How are they going to handle him? How could they make him just a “nameless terrorist”, like their previous Joker portrayal?
Or will Nolan think up one of his (usually specious) ploys, to make it “sophisticated”?
I wonder: because it strikes me that if they make him a wounded soldier (without completely rewriting the character) that the Batman could actually look a heel!
Over to you!